Sunday, September 30, 2012

Fatal Frame 2: Crimson AAUUUGH GO AWAY

It's October!  Well, it's almost October.  Like I'm going to let an extra hour and twenty minutes stop me, you terrible pedants.

Sorry.  It's (nearly) October!  Which means that it's time for my annual "Palisade Plays a Game and Freaks Right the Fuck Out!(tm)" event, where I play a horror game and pretend like I'm not about to burst into tears and urinate on myself the entire time.

Last year I promised everyone Fatal Frame 2 but didn't deliver, as the copy of Fatal Frame that I bought was a Wii game accidentally shelved with a 360's box on it.  Terrible times indeed.  Since then I've purchased a Wii, so I can finally provide you, the reader, with the highest quality of terrified ramblings.

CHAPTER ONE

And the game opens with some winsome twins.


okay so that's a british accent?

really

okay game, I'll bite

Mayu is dead. Right? I mean, come on.

If Mayu is not a dead person then I will eat my hat. I will purchase a hat for the express purpose of eating it.

Jesus Christ, this chick moves at the speed of a glacier.

Thanks game, for giving me control over a character just long enough to have her slowly trudge through 5 feet of forest. That's handy.

"It's the lost village. I heard that it disappeared on the day of a festival, and that people who were lost in the forest were lured to it." I've got bad news for you, kid.

Again with the terrible british accent. In Japan.

It's really handy that these two winsome twins happen to dress almost, but not totally, exactly like each other. School mornings must be a real pain in the ass.

"Mio, I'm wearing the red shirt with the white dress today!" "But Mayu, you wore the white dress last time!" "Well yes, that's because I'm dead."

Dead people in Japan wear white.

It's a joke that works on several levels.

You've found a black handbag!

Yes, I am aware that it looks like a glowing blue ball, but it's a handbag.

No, we have no intention of modeling these things. You're getting glowing blue balls and you'll like it.

Ooooh I just realised that the screen flickers and then occasionally shows screaming ghost faces. Creepy!

okay um

okay

um game please stop

OH JESUS GOD NO

why are they even in the forest

why are there things

there are things fuck this game

and then I hid under a rock the end

okay so thank you everyone who suggested this legitimately terrifying game, I hope you get eaten by a grue

Okay, so this game is forcing me to search through a house where there is CLEARLY an angry ghost

which seems to be a really passive aggressive move on the game's part

I only called it a few names

the nice part is that I get no end of amusement from walking into Mayu and watching her stumble backwards and look sad

Stupid winsome ghost

Oh good, I found a torch!

Oh good, it's a shitty torch!

I swear to christ that horror game characters get their torches from The Shitty Torch Store.

"Oh look honey, here's one that only illuminates things that are a foot in front of you!"

"Hmmmm, that one's nice, but this one plays terrifying musical stings when you highlight completely innocent objects."

"Well what happens when you highlight something terrifying, like a ghost?"

"It kills you."

"Perfect!"

THERE'S A GHOST

wait no

THERE IS IT RIGHT THERE

wait no

I am tempted to just turn the sound right off

"Notes on the Camera Obscura"

AW SHIT IT'S CAMERA TIME

That means there's going to be a ghost for real

"The Camera Obscura, it takes pictures of things which should not exist"

Yeah uh, all cameras can do that

Unless you mean that it can take pictures of things that can't be seen with the naked eye

BUT THAT'S DIFFERENT AIN'T IT

anyway it's time for a camera tutorial

Oh good, let's make the controls as shaky as possible

TAKE THAT GHOST FACE

I DON'T KNOW WHAT I'M DOING

AUGH IT'S CHOKING ME

officer I would like you to arrest that ghost for assault

Okay, she's dead.  Deader.  More dead.

She's

fuck that ghost, let's bounce

The door's locked.  Of course the door is locked!

Hahahahahahaha

Ooooooh dear

now the game wants to teach me about benevolent ghosts, like I give a shit about benevolent ghosts

"Don't come any closer!" the ghost intones

Yes, sir

I am down with that

Okay game, I am NOT HAVING your fakeout bullshit.  Okay?  NOT HAVING IT.

"Touch this thing the size and shape of a human!" oooh nooooooo what is it!  "It's a mirror!"  Oh.

"Touch this futon with a lump the size and shape of a human!"  Ooooooh nooooo wha- "It's just a futon!"  fuck you.

"follow this ghost up the stairs!"

No wait, that's actually what it's telling me.

Of course the ghost waits to attack me until after I'm actually lodged in the tiny room where it's hard to maneuver.  Can't make the combat too intuitive!

MAYU PLEASE MOVE YOUR DEAD ASS SO I CAN KILL THIS GHOST WITH THE POWER OF PHOTOGRAPHY

THANK YOU

END OF CHAPTER ONE

ugh

Sunday, June 3, 2012

A Discussion About Words

I've intentionally left the goal of this blog to be pretty vague, in order to accommodate the various whims that hit me from time to time, but overall I've always intended this to be a place where I can talk about stories, in all their various incarnations.  What makes a story can be pretty vague, which has allowed me a greater playground, so to speak.

Today, however, I want to talk about something only tangentially related to story-telling--yes, even more so than when I spent a month making fun of Silent Hill: Homecoming.  I want to talk about words.

Most people have certain words that simply bother them.  I'm not talking about things like racial slurs--they bother people because they are hateful words--but more about words that simply sound wrong.  For instance, I've heard from many sources that "moist" is a word that just makes people uncomfortable.  It sounds wet and damp, like something living in a cave.  Moist doesn't really bother me, but it's not a word I'd use unless I was talking about a particularly well made cake.  Doesn't that sound lovely, a nice, moist cake?  Mmmmm, moist.

At any rate, there are other words that do raise my hackles--for some reason they just don't feel right, they roll off the tongue in a strange way, or they conjure up unintentionally negative mental images.  For a lot of them, it's because they're words I naturally associate with something a small child would say--so when I hear an adult use them, it make me uncomfortable.  Observe.

Word: Tasty
"Oh, did you have some of Mrs. Partridge's cake?  It was ever so tasty."
I am certain that Mrs. Partridge makes a rather exceptional cake.  I am also rather certain that she wouldn't want you to go around besmirching the good name of her cakes with a word like tasty.  All I can hear when someone says this word is the sound of lips smacking together wetly.

Word: Morsel
"Thank you, but I'll just have a morsel."
This word is only acceptable if you are a mouse that can talk.  Unless you are describing the sorts of things that you eat to your human friend, Stuart Little, then do us all a favor and say "a little bit" or "a small bite".
Bonus points: You can describe something as "A tasty morsel" if you'd really like to see my face turn red at a party.

Word: Nibble
"I'll just have a nibble of this tasty little morsel".
Fuck you and die.

 Word: Tummy
"I'd love some cheese, but it upsets my tummy so."
I have a six year old who has learned to say "belly" instead of "tummy" and she's so cutesy that she shits rainbow-colored sprinkles.  You're not prettying up your gastro-intestinal distress by calling them "tummy troubles".  Trust me, we all know you have the shits.  Just say stomach, please.

Word: Hubby
"Delilah, have you met my hubby? "
For moral reasons, I object to being forced to picture a grown man being married to a small child.  "Hubby" is fun though, because even though it sounds like a word that a small child would use, it's also a word that is not used by any small child, ever.   "Hubby" is like the verbal version of PDA--this couple wants you to know that they're ever so cutesy and in love, even if they can't make out like teenagers all the time teehee!
Bonus points: Find a couple where the wife says hubby and the husband says wifey or little woman.  No, please, find these couples for me.  I want to make a nasty facebook page about them.

Word: Yummy
"Wasn't that avocado and bean sprout salad just yummy?!"
Every time I hear a grown person say yummy I expect them to then lean over and ask me if I'd like to be mummy's little helper after lunch.

Word: Cuz
"Well I said that cuz I didn't want him showing up."
This one's a bit harder because I don't object to the verbal version of it--a shortened version of "because".  I say it all the time.  There's two ways to indicate that you are using the shortened version of "because" in writing though, and one of them is 'cause and the other is cuz.  Is it the zed that bothers me?  It is how the word has almost zero relation to its parent?  Is it because Andrew Dobson says it?  The world will never know.

That's my list for now, but I'll add to it as I think of things.  In the meantime, what are some words that bother you for reasons you can't adequately describe?

Wednesday, May 2, 2012

Holmes Talks: The Introduction

So I've been busy with this and that, that being a proposed new series I want to make where I explore the history of Sherlock Holmes the character while making stupid mspaint jokes.  This is the first--not just the first video in the series, but literally the first video I've ever made in my life.  Watch it and weep, bastions of good taste.





Friday, March 23, 2012

The Darkness: Part One

Did you honestly think that I'd forgotten The Darkness?  Silly!  No, I had Mass Effect depression for a couple of weeks, but I eventually rallied, complained a lot on the internet, and then started The Darkness.  So here we go!


The Darkness!

So the game opens with my character in a speeding car with two obvious mobsters, talking about obvious mobster shit.  We're then chased by the police, for being obvious mobsters.  It's neat.  The only hinderance is the fact that I appear to have autonomy, but can't actually do anything with the gun that expendable mobster A shoved into my hands.

Oops, there goes expendable mobster A.

Expendable mobster B is now shouting at me to use my gun, which is somehow the cue for me to... actually use my gun?

Boom boom, motherfuckers.

Okay, everyone has really obnoxious New Jersey mob-style accents.  My husband is not going to stop doing his really bad mobster impression for weeks, is he?

Hold on.

Okay, now that he's tied up, back to our chase scene already in progress.

HOOOOLY SHIT!

That was a pretty fucking epic crash sequence.

Expendable mobster B actually has a piece of bone sticking out of his leg.  EWWWWW.  But immersive!

He gave me some exposition and some guns before dying.  I shot him in the head, just to  make sure.

Okay!  So I'm the nephew of some dude named Paulie, who wants some other guy dead.  I can handle that.

My name is Jackie, for the record.  Paulie, Jackie, and expendable mobster B was named Mickey.  I'm sensing a trend.

I'm being attacked by construction workers with really filthy mouths.  Oh, and guns.

I didn't know you needed a concealed weapons permit to work in construction, but ok.

I'm probably just too used to playing Mass Effect, but holy hell these guys can take a lot of bullets before going down.

Oh Christ.  Is Jackie wearing a leather trenchcoat?

JACKIE.

I walked into a room and Paulie started talking to me over a video recording.  He's been taking lessons from the Joker!

Right up to and including "Obvious Puns in Your Threatening Message."

"I left you a present, it's in the closet.  Have a blast!"

Okay so it's a... yeah, it's a bomb.

I can see why you got into the mobster business Paulie, with one-liners like those.

Jackie somehow survived the blast AND the three story fall.  It must have been the trenchcoat.

Then Jackie has a cutscene all to himself where he explains that Paulie's a BAD MOBSTER who got into drug running and working with the cops, while Jackie's a GOOD MOBSTER who looks out for the family, and... no, that's it.

I'm not sure there's a whole lot of income generation implicit in "you gotta look out for the family!", Jackster.  Look, Paulie might not be the best at making jokes, but at least he brings in some money!

I made it into a cemetery.  I'm getting shades of Silent Hill, here.

I met a bum in a bathroom.

I quit.

Okay, fine, Jesus.

Th-the TOILET BUM informed me that I was in a bathroom (NOOOOOOOOOOOOOO) and that I could get out of the cemetery by blasting open a gate.  He was less amused than I am about the fact that Jackie apparently just throws the word "fucking" into random sentences.

I'M JACKIE I HAVE LONG HAIR AND A TRENCHCOAT AND I SAY FUCKING A LOT BECAUSE I'M HARDCORE MEEEEEEH

Sorry.

That's a lie, I'm not sorry.

OOOOH I'M A MOBSTER BUT I'M A NICE MOBSTER SO I'M A TRAGIC CHARACTER OOOOOOH

hahahaha sick burOH JESUS GOD WHAT'S HAPPENING OH GOD OH JESUS OH GOD

Is it because I made fun of Jackie, game?  I'm so sorry.  Oh Shiva.

AIIIIIE IT'S TALKING TO ME

Ok.  So I was leaving Toilet Bum to his toilet bumming when suddenly a digitally modulated voice started talking to me.  And then I grew tentacles with faces and the faces reached out and bit off everyone's faces I guess because they need more faces for their faces OH GOD.

Can you imagine if someone started playing this game, thinking it was just a normal mobster game?  An entire hour of shooting bad mobster caricatures and then TENTACLES WITH FACES HAHA

HAHAHAHAHA WHAT

This just gets better and better.

I now have the ability to spawn a little chittering demon thing that can show me exits and kill things and emit a stream of COMPLETELY ADORABLE gangster talk.

I directed him towards a storefront.  He ran over and then turned around and yelled "Yo!"

He killed a man by tearing his throat out.  As the man gurgled to death, the demon yelled "Peace out!"

SO FUCKING CUTE.

Also the tentacles with faces have a kind of an eel quality to them.  They're unintentionally cute as well.

Uh.

Well that one just devoured a dead man's heart, so maybe...

...no, still cute.

Okay, new cutscene.  It appears as if Jackie's talking to his girlfriend named... Jenny.

Well, trend supported.

I think I'll call Jenny on this handy payphone.

Yeah doll.  It's me.  Listen, just be super careful until I get there, okay?  No reason.

Her response is to tell me that she's a big girl and can handle herself.

Will she a) get abducted or b) get killed?

It's a video game, silly.  No over-confident women has said something about being able to handle herself without getting shown the error of her ways.

Silly women!

I met up with a bad italian stereotype who wanted to know if I was still dating my girlfriend, because if she's free...

God man, show some tact.  Look, you've gone and offended my shoulder eels.

This subway is peppered with graffiti and actual adverts for products and movies that don't exist.  Look, um.  Um.  This game is really, really charming.  Um.  I think I might have accidentally picked up a great game.

Shit.

It's kinda neat that I can walk the streets of downtown wherever we are, and while yes I'm getting shot at by mobsters, they still react if I pull my shoulder eels out.  Sometimes they even run away!

Show some respect to the shoulder eels.

I finally met up with my girlfriend, who called me rat-face.

Haha, okay, you got me.  I do kinda look like a rat.

I decided to tell her the truth about the fact that I kill people in the face for a living.  She insisted I was just making up a story to cover up the real problem.

All right, so Jenny here ain't the brightest bulb.  That's okay.  At least she hasn't been kidnapped yet.

Huh, Jenny managed to survive past several cutscenes.  Well played, Jenny.

I'm supposed to go meet Butcher.  These mafia names are getting frankly ridiculous.

Butcher told me to whack Dutch Oven Harry in order to get to Silly String Mallone, who's great friends with Wild Balls Frank, who sometimes sleeps with Paulie.

Great, and now I'm being attacked by corrupt cops.  Like I don't have enough problems.

This game isn't the greatest at showing where on the map I'm meant to go, so I tend just to follow the trail of enemies.

Jackster here has just gone overboard with these mafia references.  He's like the uber-nerd at the after-school anime club, pointing out that Super Sparkle Love Love Girls is actually a reference to The Yum-Yum Show, actually.

Yes, I am hoping to gain popularity by indirectly--and poorly--referencing K.C. Green.  That is literally my plan.

Also Jackie is more like the kid that laughs a little too loudly and constantly talks about Dragonball Z, since it's the only anime he's ever seen.

Jackie is getting a little tiresome, is I guess what I'm saying.

Sunday, March 11, 2012

A better Mass Effect 3 ending (SPOILERS)

OH GOD THERE ARE SPOILERS RUN AWAY SPOILERS WILL EAT YOUR FACE


Shepard collapsed next to Anderson, blood pouring down her face. The curvature of the earth was laid out before them, bright even through the haze of cannons, and lasers, and the fog of war. Anderson touched her hand lightly and coughed.
"You did good, kid." he whispered. Shepard smiled and winced. The pain was there, but beginning to fade into the background. She wondered if that meant she was dying. She thought about asking Anderson, suddenly realising that he'd gone limp beside her.
No tears. It was a death to be proud of. She wondered if she should have commissioned that for her gravestone--A Death To Be Proud Of--and then fought back the urge to giggle hysterically.
She was watching the view through the opened arms of the citadel, waiting for the blackness to overtake her, when a sudden, sharp light appeared in the room. She had always thought that the light was supposed to happen after the darkness, and wondered briefly if she was going insane.
The light coalesced into a form, a figure, standing in front of the console she had recently bled all over. Spots danced in front of her eyes for a moment before she realised that the figure was fiddling with the console himself. A large explosion echoed distantly.
He turned.
"Who are you?" she whispered, hoping she wouldn't have to move.
The figure stepped forward, and the light faded. He was bearded and robed, with a gentle face and a Serrice brand visor. It was blue. His eyes were blue. Shepard tried not to giggle again.
He crossed the room in two steps and held his hand out to her.
"Shepard. I am God."
Another explosion sounded, closer than the one previously. The pain had come back. She boggled.
"What, like God... God?"
He nodded gravely.
She licked her lips nervously and stared at his outstretched hand.
"Take it." he whispered. She slipped her hand into his and realised the pain was fading again--but this time without the darkness nipping at her. He helped her stand.
"What are you doing?" she asked, suddenly realising that the explosions were steady, and sounded suspiciously like gunfire.
"I started the guns for you."
"Why?"
"Why not?"
She decided not to argue.
"Well, then... am I dead? Or am I dying?"
His eyes twinkled.
"Do you want to die?"
PARAGON ANSWER: That seems like the most logical ending
RENEGADE ANSWER: Fuck, no.
Then they both jumped in his space Mercedes and flew off, the end.

Saturday, February 25, 2012

Oops

Due to circumstances beyond my control (the fact that Mass Effect 3 is coming out in just over a week and I have just barely started the second game) my Mass Effect write up is being indefinitely suspended.  I'm sorry.  In case you were wondering: yes, I did rescue Liara, and yes, I did have extremely boring sex with Lieutenant Carth.

There's going to be a small delay while I'm playing Mass Effect 3, though there will be at least one short story post.  Once I'm done with ME, I will start a game that I bought just for you.

THE DARKNESS.

In the meantime, enjoy this terrible trailer for the sequel.



WHO'S EXCITED?!

Thursday, February 2, 2012

So, um

I've taken a look at some of my blog statistics recently, and I've noticed that most of my post hits that aren't directly related to a referring link come from one source.



so I'm creeped out now!

No seriously, I love you all.  Really.  Please back away slowly.

Sunday, January 29, 2012

Guide To Being Eaten By The Internet

Hi!  It looks as if you're being EATEN BY THE INTERNET.  Who knew that insulting that customer/stealing from that artist/closing down that charity effort/bad-mouthing that internet celebrity would pay off so quickly?  For your convenience, I have compiled a list of helpful suggestions to improve your EATEN BY THE INTERNET experience.

1)  Apologies?  You don't need no stinkin' apologies.  Remember, admitting that you might have been at fault for any reason is just another way of saying that you are a weak, sad person.  

2)  Make sure to engage in plenty of defensive posturing.  It will cause people to be impressed by your eloquence and wit.

3)  Do people seem offended by you?  That just means it's working.  Call them names for good measure.

4)  Make sure you accuse everyone who is shouting at you of engaging in their own illegal activities.  After all, two illegal activities combine together and either cancel each other out or create the head for Megazord.  Either way, you win.

5)  Definitely use either racial, misogynistic, or homophobic slurs.  Those are the best.

6)  If you have a meltdown, make sure it's posted in a place that anyone can see it.  Then delete it.  Then post another one.  Then delete that and cry a bit.  This will delight your fans and unsettle your enemies.

7)  After throwing a hissy fit and refusing to stop whatever has angered everyone, make sure to congratulate yourself on how mature you're being.  Buy a cake!

8)  Finally, convince yourself that the internet isn't forever.  Eat your cake.  Imagine that you are the internet and the cake is you.

I hope this guide can increase the enjoyment that you get from your BEING EATEN BY THE INTERNET experience.  


Tuesday, January 10, 2012

The Reichenbach Falls

I'm back.

What, did you think I was dead? Haha, silly! No, the doctor says the scars should eventually heal, provided I don't move or breathe in any discernible way. Antelopes, eh?

Since Tumblr has informed me that a new episode of the hit television series Sherlock is about to air, and I'm nothing if not topical, I thought I'd do yet another post about famed Belgian detective Poirot. He's so funny! And clever! Then I remembered that doing a post about The Final Problem would probably annoy more people, so here we are.

In the interest of providing some back-story, I feel as if I should make mention of a couple things. First off, Sherlock is indeed about to air an episode based off this story. In addition, the film Sherlock Holmes: A Game of Shadows (which sounds like a video game, if I'm honest) was also loosely based on this story. The movie adaptation, at least, did a pleasant enough job of rounding out the character that is introduced in this story, certainly better than Sir Doyle did. Which character is that?

"You have probably never heard of Professor Moriarty?" said he.”

Dun dun DUUUUUN. It is tempting to compare and contrast the various adaptations of this story to see where one is superior to the other, but I feel as if some basic understanding of the original story is necessary. So let's begin!

It's funnier to separate fact from fiction (ha!) but there's no real way to get around it: the Final Problem was originally written as a way to get rid of Holmes. Sir Arthur, a very competent man who happened to go a little insane as he got older (ask me about the fairies!) decided that he was tired of writing about his most famous creation, and wanted to focus more time on his historical fiction. What? Yes, Sir Arthur wrote historical fiction. He was even knighted for it!

At any rate, The Final Problem was written with little set up, and one end goal—kill off Holmes. The problem that the author faced was a singular one, since Holmes could either die in two ways: through some stupid mishap or by facing a worthy adversary. Except that a worthy adversary had never before been written for Holmes. Well... shit, I guess. Time to break out the banana peels and chemical vats!

Since Sir Arthur wasn't particularly interested in creating the first Batman villain, he decided to go the 'worthy adversary' route without actually setting the adversary up in any way. As a consequence, Moriarty is fairly... well, toothless.

As an example, here is the first introduction to our keen criminal mastermind.

"Aye, there's the genius and the wonder of the thing!" he cried. "The man pervades London, and no one has heard of him. That's what puts him on a pinnacle in the records of crime. I tell you, Watson, in all seriousness, that if I could beat that man, if I could free society of him, I should feel that my own career had reached its summit, and I should be prepared to turn to some more placid line in life. Between ourselves, the recent cases in which I have been of assistance to the royal family of Scandinavia, and to the French republic, have left me in such a position that I could continue to live in the quiet fashion which is most congenial to me, and to concentrate my attention upon my chemical researches. But I could not rest, Watson, I could not sit quiet in my chair, if I thought that such a man as Professor Moriarty were walking the streets of London unchallenged."

Gosh, that sounds pretty scary! A man so diabolical, so entrenched in criminal culture, that eradicating him from this earth would be the greatest thing that Holmes has ever done?! I bet he eats babies.

But wait a moment.

"Aye, there's the genius and the wonder of the thing!" he cried. "The man pervades London, and no one has heard of him.”

Huh. That's a good point, Holmes. Why have you never mentioned him? Well, I mean obviously, he must have just recently discovered who Moriarty was. The spider that tweaks the web, hidden behind the scenes! How cunning, how masterful, how...

For years I have endeavored to break through the veil which shrouded it, and at last the time came when I seized my thread and followed it, until it led me, after a thousand cunning windings, to ex-Professor Moriarty of mathematical celebrity.”

Well, I guess that's sort of what I just...

You know my powers, my dear Watson, and yet at the end of three months I was forced to confess that I had at last met an antagonist who was my intellectual equal.”

Huh.

It sounds like a really slight thing to complain about because, well, why would he have mentioned this odious presence to his most trusted friend and compa... okay, well, why would Watson have bothered to share the ramblings of a cocaine addicted genius with the world? Holmes makes a good point at the opening to both denigrate Moriarty while at the same time lamenting the futility of going after Moriarty; in fact, he mentions a direct encounter with the man that was immediately followed by several attempts on his life. Shocking! Harrowing! And if this were the first in a series of a stories where Holmes and Watson track down this genius to his lair, then the feeling of dread that so permeates this passage would really work. Holmes describes all the secret, cunning things that Moriarty does and then Watson—and by extension, the reader—get to see with their own eyes exactly what sort of secret cunning things they are.

Instead they decide to take a vacation to Switzerland because that's where Moriarty is going. Quick, Watson! Pack a muffler!

It is here, in the spaces where they begin to travel, where the reader is given an opportunity to really get a sense of what sort of danger these two beloved men are in. Or, you know, Holmes could make Watson travel in several different carriages and then show up dressed as a priest.

"Every precaution is still necessary," he whispered. "I have reason to think that they are hot upon our trail. Ah, there is Moriarty himself."The train had already begun to move as Holmes spoke. Glancing back, I saw a tall man pushing his way furiously through the crowd, and waving his hand as if he desired to have the train stopped. It was too late, however, for we were rapidly gathering momentum, and an instant later had shot clear of the station.”



Look Watson! It is the dude I have mentioned once, but you have never seen! Right there! No, I swear that's him. Oh hey, did you read the paper? No? Good. I-I mean!

"Have you seen the morning paper, Watson?""No.""You haven't' seen about Baker Street, then?""Baker Street?""They set fire to our rooms last night. No great harm was done.""Good heavens, Holmes! this is intolerable."

Oh my gaaaaawd they totally set fire to our old apartment. No, really! Are you buying this?

At this point, I'm ready to nominate Holmes for the title Best Troll of All. And then we get to hear about their vacation!

It was on the 3d of May that we reached the little village of Meiringen, where we put up at the Englischer Hof, then kept by Peter Steiler the elder.”

Oh my gaaaaaawd.

So Holmes informs Watson that apparently—no, really, I promise—the police managed to arrest everybody in Moriarty's gang besides, you know, Moriarty. So Holmes very astutely suggests that Moriarty has little left to live for beside attempting to kill Holmes, and that maybe Watson could just go back to London. Come on, help a bro out. Watson refuses because duh, and so they take a merry jaunt through the mountains of Switzerland.

I am not joking, okay? The rest of the story is a description of the Reichenbach Falls, where they end up—a swirling vortex of death!—and commentary on the establishment. WHERE ARE ALL THE BITS WHERE MORIARTY IS SCARY?

It doesn't happen. Holmes sees Moriarty (Watson is graced only with the sight of his retreating back) and heads off to meet him and never returns. And that's it. Watson discovers, some time later, the evidence of a struggle and concludes that both Holmes and Moriarty plunged off a cliff into the falls.

The end?

Well no, because Holmes isn't really dead. Sir Arthur got such a backlash from his fans that he eventually decided to bring Holmes back to life. Trust me: it's dumb too. Just like Moriarty.